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We're going to miss Caruso if you don't put some fire under it.
Oh, you've wiped oil all over your face.
Isn't that better?
Oh, Molly, please.
Come on, for God's sake!
Champagne for the horses! The best!
twitter.com/antoniodicampli:
We're going to miss Caruso if you don't put some fire under it.
Oh, you've wiped oil all over your face.
Isn't that better?
Oh, Molly, please.
Come on, for God's sake!
Champagne for the horses! The best!
twitter.com/antoniodicampli:
"about photography—not about pseudo-painting, not about graphic schema or chemical manipulation, not about social or political propaganda, not even about itself as an art medium, though it can embrace all of these things—but essentially about the act of taking a photograph, not in a physical but in a psychic sense. It is about the act of seeing, knowing and understanding some small part of the world or fragment of experience, and placing oneself in a singular physical relationship to it in order to make a record of that experience with the camera."
Gerry Badger on Lee Friedlander (via magnificentruin)
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“about photography—not about pseudo-painting, not about graphic schema or chemical manipulation, not about social or...
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stellar808 said:
Friedlander is about temporality, time. Unlike “The Decisive Moment” he’s standing outside the moment, watching it. Winogrand is in the moment, a part of it but Friedlander is isolating the everlasting moments between the ticks. Alone, isolated.
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